I was at a Broken Social Scene show in Toronto and as the band walked onto the stage a handful of cell phones were raised to attention for the perfect shot.
To my left, an older man with a thick white mustache and complementary wiry beard pulled his phone out of his pocket. It was folded inside one of those leather cases with an awkward little peephole window in the front. Over the course of the show he recorded various snippets of songs with his camera app, each time flipping open the case, turning it on, hovering his thumb to find the icon he desired before tapping open a folder with a single camera app – the folder in question?
“Folder name”
This was a minor distraction for someone who’s easily distracted. But there was something that distracted me more.
Behind the band, a kaleidoscopic background was spinning and spreading a trippy palette of color across the back wall. Watching the background transition and morph across pictures I quickly spotted the hallmarks of “AI generated” images. Each frame slipped into view, melding and merging, incremental shifts as faces and shapes surfaced as if seen through a technicolor fog.
There were unintelligible words, transcriptions of descriptions of letters no one has ever seen before.
All the lines drawn had a strange alien quality, gloopy ink splotches always straining to escape along their axis.
I thought about the artist who created the visuals. I thought about what prompt they used. I wondered how long it took them to generate the video – was this edited after the fact or was it the raw stream from an almost-bleeding-edge tool. Had there been a deadline?
And what happened when they first showed the results of their work to the band or whoever signs off on this sort of thing? Were they impressed? Did they comprehend how much this work was the result of a melting pot of the work of countless, uncredited artists? Did the artist consider the same, fatalistically wondering if their art in turn would be remixed and blended into a creative sludge, a stablised average of every unique inspiration anyone had ever conceived?
I would say I’m someone who’s slightly more online than average. As a result I know the tells of art that’s been procedurally generated. It’s not a notable skill, I’m sure thousands if not millions of others could do the same.
But for the average attendee of the show – or for people who don’t know or care to change the default name of a folder on their phone – I would wager these AI manifestations were only distracting because of their virtue: they looked impressive.
I’m not sure what happens next. We are nowhere near the widespread adoption of these techniques. They are yet to become commonplace although there are indications this transition is well on it’s way. Image generation may be able to lose those qualities that make it obvious but I think the aesthetics will be harder to scrub away.
The aging superfan next to me reached into his trenchcoat once more and fumbled for his phone. He flipped open the case, turned it on, hunted for the right app and tapped: “Folder name.”
Twenty minutes, then gravity came down on him like a great soft hand with bones of ancient stone
When I started this book I had no idea just how unintelligible I would find it. Nothing prepared me for the onslaught of unbridled, hold-onto-your-butts cyberpunk vibes. I’m smitten by Gibson’s writing but I’m not certain I could recall the plot to any degree of accuracy.
One I’m going to have to come back to, for sure.
Lonny Zone stepped forward, tall and cadaverous, moving with the slow undersea grace of his addiction.
After being burned by a book with an extremely similar premise, I gave Upgrade a chance as I remember enjoying Blake Crouch’s 2019 novel, Recursion.
To it’s credit, the first third of Upgrade kept my interest but my enthusiasm quickly waned with the formulaic second and third parts. Any emotional resonance in the book was undermined by schlocky writing and over-explanation of the protagonist’s feelings. By the time the main character described a database query he was writing to advance the plot I was ready to be done.
A friend challenged me to describe 2022 in a single word and – true to my nature – I bristled at the mere idea. How could I summarise 365 full days around the sun with a single word?
Despite my reluctance, I think there is a single word to describe it: fragmented. 2022 was much more fragmented, bitty, piecemeal than the last few. I read less, wrote less, sent fewer newsletters, did fewer personal coding projects and – to cap it off – I failed to run a marathon in October.
But fragmented works as there were a few wins. I ran a half marathon earlier in the year, ramped up to some significant mileage over summer before pivoting to alternative gym exercising in the past few months of the year as a result of injury. I read a respectable number of books, partially aided by audiobooks (love you, Libby). I wrote (a bit) more about each book I finished and poured a lot of time into my blog. I picked up a new (old) camera and enjoyed rekindling my eye for photos.
It was fragmented because I was all over the place. My travel has picked up since the pandemic and I spent a lot more time with family in the UK and back in Ontario. I returned to my UK company HQ in Cambridge twice and was lucky enough to take a long week’s holiday in Japan in November.
I figured there’s a lot to reflect on this year. Here’s my attempt to digest and share what went well and what might happen to me now I find myself in the early days of 2023.
Slow newsletter year
Around the beginning of the pandemic I started a newsletter, ostensibly about network graph analytics and data visualization. In the last year, it morphed into more personal-adjacent writing about graphs and networks in the real world. In hindsight I had more time to devote to this side project during the pandemic and struggled to do it justice in 2022.
I never managed to define my target audience, real and ideal, and didn’t quite land the takeaways. It wasn’t clear to me why I was holding myself to strict publishing timelines of every other week.
I was also blithe in my unawareness of other, “real”, data visualization newsletters that have found and grown a strong audience for years.
I suspect the more personal writing alienated more of the original technical readers. But I learned not to care too much about this. I was writing what I wanted to be writing about. If it’s not for me then what’s the point?
After seven editions at the beginning of the year, I announced I was taking the summer off and made the mistake of closing my June edition with
I’ll see you again in September.
This… didn’t happen. And it’s not like readers are vocal or demanding, but the fact that I wasn’t able to polish and publish anything in the latter half of the year has weighed on my mind.
I have a draft almost, kinda ready to go, and I’m committed to getting it out. But is this something I want to dedicate more time to in 2023? I’m not certain.
Part of me thinks I was writing to aid my career, but three years later I’m comfortable with my progression and I’m not sure that’s necessary any more. There was always dissonance and conflict writing around the same sort of topics commercialized in my day job. Should I make an effort to write and learn more about things that aren’t graphs and data visualization? I’m not certain.
Reading water
I read 56 (!) books in 2021 and 37 in 2022.
Prompted by reading “The Penguin Book of Japanese Short Stories” in 2021, I read a disproportionate amount of Japanese fiction this year. Particular highlights were two quirky novellas from Yoko Tawada and a magnetic little book called “Kokoro” by Natsume Sōseki. It took me a long time to get through the Makioka Sisters by Jun’ichirō Tanizaki – as I wrote in September, “glad I stuck with it but it was a slog at times.”
Looking back at the full list, “fragmented” is a good way to describe my reading. I struggled with a lot of books this year, leading me to add a new category to my reading log for “did not finish.” I have a few books I’m meaning to go back to and shelves of novels stacked in a silent prayer, waiting to be read. I like to think 2023 is looking bright for that.
The proportion of books read as audiobooks was up this year thanks to time spent at the gym or travelling. I listened to Bob Odenkirk’s memoir which was pleasant but uninspired, and followed it up with Steve Martin’s which was much more impactful.
Recording my reading publicly is a net benefit for the feeling of accomplishment and sharpening my critiquing pencil. I find it hard to have novel opinions but I’m slowly getting better. It does sometimes get in the way of choosing and taking time when reading books as my mind will drift to what I’ll say about it on my blog. The reduction in number of books finished this year and (gasp!) not including some books on my site helps with this.
I was lucky to read three fantastic non-fiction books this year: User Friendly, Living in Data and “Mistakes Were Made (but Not by Me)”. I can’t say I was as lucky with fiction. But Looking back, I didn’t try very hard. 2023 will be a year for more interesting, meaty fiction.
Media report
My podcast consumption shrunk in favour of audiobooks. Apart from listening to standalone episodes of podcasts with interesting guests, I mainly spend my podcast time with lighthearted comedy podcasts from the UK and Canada.
I still read Private Eye every two weeks (thanks Dad!) but I let my Economist subscription lapse. I always find it rewarding but couldn’t carve out the time required for such a dense “newspaper.” I try to pick one up every once in a while as a little treat.
There’s been a shake-up in my newsletter consumption. I read Money Stuff and Today in Tabs religiously and have picked up nothing here as an horrifyingly essential summary of news around technology, climate and social issues. I’m finding other old favorites to be… less essential. I still like hearing of Duncan Geere’s updates although there’s a lot of “viral intellectual content of the week” filler. Daniel Miessler’s cybersecurity-skewed news update has become less interesting to me and I subscribe to Sentiers but find it aloof and aspirational rather than realistic and actionable. It takes a lot for me to swipe “mark as read” but I’m learning to do it more and it’s strangely liberating.
Albums of my year
More fragmentation. I’ve always prided myself on having an eclectic taste but find myself skewing towards accessible indie-pop/rock/folk instead of anything challenging. This is fine, here are some highlights!
Labyrinthitis by Destroyer is probably my Album of the Year. June is transcendent.
Actually, scratch that, the Deluxe version of Remi Wolf’s Juno album came out in May and it’s incredible. I’ve almost certainly listened to much more of that this year than any other album. Infectious vocals, fresh approach to music production and so. many. ear worms.
Blue Rev by Alvvays blew me away, Expert in a Dying Field by The Beths is another winner but has made me aware of their even-better earlier album, the hooky Future Me Hates Me.
I have a real soft spot for Bleed Out by the Mountain Goats. It’s the best Mountain Goats album in years – and that’s coming from someone who loves latter-day Darnielle. Only the clanger “Need More Bandages” with the uninspired chorus chant of “We’re going to need more bandages!” distracts from an album of perceptive lyrics and sinewy melodies. Don’t skip on “Hostages” – for some reason that eludes me, the line
Good luck to the guys.
makes me laugh out loud every single time.
I spent a lot of time with 4 Guitars by Bill Orcutt – deliciously dissonant.
Asphalt Meadows by Death Cab was my official “album to listen to while on a plane”
The horrifically-titled d E A T h ~ b U g by ORANGEPURPLEBEACH (a new moniker for John Vanderslice) was a sleeper hit for me.
Other strong contenders: Painless by Nilufer Yanya, Turn it On! by Romero, Vulture Prince, Bartees Strange, Indigo De Souza, oh my.
I don’t know Wilco that well, although I suspect I saw them live once. Their older, less popular album, “Sky Blue Sky” was on heavy rotation for me this year.
Over in the guilty pleasures department, I listened a lot to Hotel TV by Lawrence and In These Silent Days by Brandi Carlisle.
One new ritual this year is putting on Iggy Pop’s Confidential on a Sunday morning. It’s a fantastic mix of music and I always find at least 5 new artists or records I want to spend more time with.
None of these music choices are unique but this unwieldy section makes me think I should enthuse more about music on this here blog in the future.
I can’t say I moved the needle on my guitar playing this year. I want to play more music in 2023 and even try to record and release a selection of original music.
Tool Time
I’ve always wanted to be a person who is proficient editing text with vim, my lack of vim skills has irritated me for decades but this year I made a concerted effort and learned to use vim and am actually okay using it and: I’m not sure it was worth it?
It’s weird to cross off an aspiration as half-complete but actually complete but that’s what I’m going to do. I know enough vim to be dangerous and can extend my knowledge more over time. But this isn’t hanging over my head like it was before. How stupid of me.
After falling for the hype of “tools for thought” as procrastination for true intellectual and creative output, I’ve pared my use of productivity tools down to Things, Readwise w/Reader and Obsidian and I’m not sure about Obsidian.
I’m particular about the tools I use and have been a Workflowy maximalist for a few years. I used it to track lists and todos in it’s unique infinite list capability.
I’m more interested in battle-tested native macOS and iOS apps in 2023. I want to support small teams that have a laser-focus on good UI and UX. The broadening of the capability for both Workflowy and Obsidian gives me pause and, ultimately, their “wizzyness” and novelty is a distraction from getting shit done.
Projects and shipping
I had two large projects this year: tweaking my blog site and thinking about all the source/target newsletters I wanted to write.
I adore the layout of my blog. The thin, responsive column format is unusual but has a density and personality to it. There’s scope for a re-style but I think it will last in it’s current form for a while. I streamlined the ability to add photos this year and added automated Twitter Social Share image generation but, on balance, I’ve spent more time on writing and publishing than on site tweaks. I’d like to post more “notes” and longer-form “posts” in 2023.
Hit by COVID and self-isolating in July, I did something totally reasonable and made a new website. I forked a repository for a site that documented book review scores from a productivity podcast and rebuilt it to track reviews from one of my low-key favourite podcasts, Evil Men. This was a lot of fun although I the low-level Eleventy configuration and my still-poor CSS skills bogged me down.
I spent a lot of time on three other projects: one semi-secret, one barely released and a third set to be mothballed.
The semi-secret one was something I’ve been proud to be a part of. I’ve long been a lone coding coyote pup, rattling around a git repo on my own. Collaborating with a small team on something I like to think I know something about has been eye opening. I don’t see many chances for this in the future so it’s been a nice change.
For part of the year, I worked on a tiny little project that made me smile. The idea came to me earlier in the year and I couldn’t stop thinking about it until I cobbled something together. I worked out how to host a website from the Raspberry Pi in the corner of my office and kickstarted leaving.live back in September.
What is leaving.live? It’s a website that tells you when other people leave the website.
I had big, small plans for leaving.live but couldn’t find the time to enact them. And then something funny happened, I linked to it as a work in progress earlier this week and it resonated with others, to my surprise!
Thousands of people have shared and marvelled at it since then and I’m so pleased. All my planning and anguish over not finding the time for improvements melted away. It was perfect as it was.
The final project is a public labour of love: many people use Send to Workflowy to quickly add text and links to their Workflowy account. It’s bizarre that this capability is missing in an otherwise feature-rich product. I released it in May of 2021 but I never truly “launched” it. I was hesitant to be fully responsible for a live service and aware of the shaky foundations I was building a pseudo-SaaS product on. I spent a fair amount of time this year hacking on new infrastructure using fancy low-cost tooling like fly.io and CloudFlare Workers. In the end a low key announcement that first-party API support for quick capture is on the way means that it’s just not worth my time any more. I’m proud that one of my repos on Github has accrued a (small) number of stars and I learned a fair bit.
Both leaving.live and Send to Workflowy teach me something for 2023: ship and share your projects early! Everything is a draft! Oh and: kill your projects early too!
2023
After six years in the same role, my company promoted me at the tail end of 2022. I’ll face some new challenges as a manager as we continue to grow the business. I suspect this will fill my winter long work days but I prefer that to twiddling my thumbs and stagnating.
I do want to carve out the time away from work to keep happy and healthy. This means recovering from my injury enough to get back to running. It means making time for fun projects and not letting the less-fun bits drag me down. It means making time for my wonderful partner and family.
In short: more of the good stuff, less of the bad stuff. A bit less fragmented, a bit more joined up.
I want to hike more this year, ideally every Sunday. This is my favourite time of year to go hiking. It’s not too cold, not too hot. There are fewer people around. No mosquitoes – although those are rare here on Vancouver Island.
As we live near the rainforest it’s so easy to take a short drive and get into the woods. Wet, drizzly conditions only add to the atmosphere. I love the clumps of sodden moss cladding bendy, tall trees.
If I hadn’t read the back of the book I suspect I would have twigged that this author had a thing for language. A published author in both Japanese and German, Yoko Tawada excels at dreamy sequences interspersed with lucid discussions of the words we use how they make us feel.
The Emissary is a short novel set in a future where Japan has isolated itself from the world as a result of an unnamed catastrophe. Only the elderly, the octogenarians and older, are healthy. Their younger friends and family are poisoned by the land and unable to imagine a future for themselves.
This book was better-conceived than “Scattered All Over the Earth,” it’s loopy, shifty ending will linger for a while.
It’s not clear what didn’t click with me and this book: in principle it overlaps with many of my interests. It focuses on self reflection through an eco-environmental awareness. It also achieves much of the feel I aim for with the more narrative-driven source/target editions. I was close to giving up on it and likely would have if it wasn’t an audiobook.
I couldn’t shake the feeling of a condescending tone illustrated by unremarkable anecdotes, along with inconsequential nature observation passages that rarely transcended their pat delivery. Lots of mourning what we may have lost in nature with limited calls to action.
The last few years haven’t been kind to the then-topical sections. Breathless anti-Trump passages are beyond weary at this point and date the well-meaning sentiment.
One upside was learning more about Oakland, a place I’ve visited a few times but never digested in full.
I suspect I acquired too much of the media surrounding this book via osmosis back in 2019. The core conceit was unremarkable and covered better elsewhere.
Written in the early 1900s, this was a short, thoughtful book of three distinct parts. The first introduces the protagonist and his relationship with an elderly man identified throughout the book as Sensei. In the middle part, the protagonist returns home to look after his ailing father and rejects opportunities to move his life forward. The final and longest part is a letter from Sensei explaining his experiences as a young man that lead him to be the man he is today.
I enjoyed the book and found the allusions to progress and depiction of male relationships to be quite revealing. The inner dialogue of the protagonist (and, later, Sensei) was a realistic portrayal of the dissonance faced when navigating complex social dynamics. Some of the tale remains mysterious and open to interpretation – it’s a book that will reward a repeat visit.
A fascinating first-hand account of living and working at logging camps after the Second World War.
Hans Knapp moved from Austria in 1951 and began work as a logger at the North end of Vancouver Island. The glossary of logging terms at the back of the book is a required reference for some of the more dense sections covering the older logging roles and terms.
Working in extreme weather conditions and faced with the drudgery of working long days in the wilderness, quirky personalities clash and tensions fray. Much of the book describes a range of characters with memorable names such as “Slippery”, “Jolly Good”, “Terrible Ted” and “The Garlic Twins.”
There are countless depictions of various accidents that befall the loggers. These include freak events, near misses and depressing fatalities.
In one tonal shift, Knapp recounts stumbling upon an old abandoned prospector’s cabin on a Sunday afternoon hike. The eerily preserved home sits hidden amongst a lush wilderness tamed by the long-absent owners. The gold rush has been and gone but Knapp belongs to a new breed of opportunists extracting from the land.
Daemon by Daniel Suarez was a book that made me remember that sci-fi was a thing that I enjoyed.
It was a gripping thriller with assured tech credentials. Published in 2006, it was also prescient in it’s depiction of modern-day cyber threats.
Looking for an audiobook on Libby, I stumbled on Change Agent and the bioengineering angle piqued my interest. Oryx & Crake by Margaret Atwood was a rewarding read in this area for me.
After a bold start I was hoping it might match the heights of Daemon but the book slips into hackneyed “wanted suspect” crime novel territory with trite plot devices and repetitive internal dialogue.
Other sci-fi authors like Gibson and Miéville will occasionally test my patience with their stream of undefined concepts that must be cracked like contextual riddles.
Change Agent goes too far in the other direction.
Every little bit of unfamiliar technology, however slight, is explained at length. This has the effect of wringing out all the joy of exploring futuristic ideas, however dystopic.
I gave up at 56% and have wired up my reviews to accept a D.N.F.[1] rating. There’s no need to feel obliged to complete books I’m not enjoying.
Just under 10 minutes into the 2017 upload of the “Mother of all Demos” on YouTube in 2017, a wave of irritation flickers across Douglas Engelbert’s face. “What the hell happened to that?” he mutters, almost inaudibly, as a thin smile and nervous giggle betray a moment of mild panic. It’s 1968 and he’s just started a presentation showcasing countless technological techniques that will echo for a half a century and beyond.
Engelbert is one of many characters covered in this fantastic book from Cliff Kuang – individuals obsessed with reorienting the world with visionary ideas of how technology should aid rather than abrade. The book avoids oblivious hero worship in favour of a global collection of stories.
With various stutters and beeps Engelbert finally wrangles his list into a quiet order. A breeze of relief leads way to a soft apology before he forges ahead to reveal the future.
Affordances
Don Norman is probably most famous among designers for popularizing the idea of an affordance—physical details, designed in products, that tell us how they’re to be used, such at the subtle curve of a door handle that tells you which way to pull, to the indentation on a button that tells you where to push.
Metaphors
Navigate, browser, hyperlink, search engine.
It was explained to us all so slowly, over time. We learned what the web was by using it. Eventually, we didn’t didn’t the metaphors at all.
(As the design theorist Klaus Krippendorff writes, "Metaphors die in repeated use but leave behind the reality that they had languaged into being.)
But to those women in GP Block Pitampura, the internet had simply arrived one day, devoid of any explanation at all. No wonder it was baffling at best, even terrifying.
Beauty
In the user-friendly world, beauty is a tool that transforms something that’s easy to use into something we want to use.
Beneath every product you see, there is a designer, sometimes a good one, whose fodder is an intuition about what you’ve seen before, what you might admire. “Beauty” is the word we use when a designer’s vision overlaps with our own.
Industrial Empathy
In 2018, the consulting firm McKinsey & Company analyzed more than 100,000 executive-level design decisions across three hundred publicly held companies those with robust design-thinking processes had 32 percent higher revenues than their peers over a five-year period, and 56 percent higher shareholder returns.
Disability as an Engine of Innovation
Perhaps you’re reading this book with your phone by your side, checking your email whenever your attention drifts, tapping text messages to a friend. You sit at the end of a long line of inventions that might never have existed but for people with disabilities: the keyboard on your phone, the telecommunications lines it connects with, the inner workings of email. In 1808, Pellegrino Turri built the first typewriter so that his blind lover, Countess Carolina Fantoni da Fivizzano, could write letters more legibly. In 1872, Alexander Graham Bell invented the telephone to support his work helping the deaf. And in 1972, Vint Cerf programmed the first email protocols for the nascent internet. He believed fervently in the power of electronic letters, because electronic messaging was the best way to communicate with his wife, who was deaf, while he was at work.
Perhaps one day someone will write a history of the internet in which that great series of tubes will emerge not as some miracle of technical progress meant to connect people faster and easier but rather a chain of inventions each meant to help more and more types of people to better communicate. But the most critical piece of the history will be this: Disability is so often an engine of innovation simple because humans will invent ways to satisfy their needs, no matter their limitations.
Design Leaders
In setting the Imagineers on a pedestal apart from operations, Walt had created a model common across countless companies today, in which innovation is viewed as a function owned by an anointed few, rather than an emergent property of the system.
Automation Paradox
As cognitive psychologists and human-factor researchers began inventing better and better solutions to hand off control between pilot and machine, they noticed a worrying dynamic: As planes became more automated, the pilots themselves were less and less practised in flying their planes …
The automation paradox suggests that as machines make things easier for us—as they take more friction from our daily life— they leave us less able to do things we once took for granted.
Re/action
Rosenstein brought up the idea of a Hegelian dialectic— the idea that society creates a thesis that’s met with a reaction, then an antithesis that amends that prior paradigm, and finally a synthesis, which resolves the tension between the two.
Competitors
As Michael Margolis, a user-experience partner at Google Ventures is fond of saying, “Treat your competitors as your first prototypes.” Take advantage of all the effort that some designers have put into their work and learn from it.
Other Sites
Jakob’s Law: “Users spend most of their time on other sites. This means that users prefer your site to work the same way as all the other sites they already know.”
Unfinished Tasks
In the 1920s, the Soviet psychiatrist Bluma Wulfovna Zeigarnik conducted a study in which she found that uncompleted tasks are easier to remember than successful ones, a discovery known as the Zeigarnik effect.
When, on a bright May morning in 1953 Huxley had swallowed four-tenths of a gram of mescaline, he had been watched by a researcher who had recorded his responses to the drug. He had seen books glow like rubies; a slow dance of golden lights; flowers shine with eternal life. When the researcher asked Huxley how he felt about time, he had replied with clarity: “There seems to be plenty of it.”
After reading Bob Odenkirk’s memoir I wanted to try another, reportedly better, one. It didn’t disappoint. Short and funny with the right amount of detail. I recognised a range of comedy setups that I now realise must have been inspired by Steve’s act in the 70s.
A dense book filled largely with the dull daily activities of a once-prestigious family in pre-war Japan. I found it realistic and captivating at times, especially when tracking the formal matchmaking process and protocols of the time. There’s a thread of disease and illness throughout the book that seeps into the characters existence in ways I didn’t appreciate until the end. Glad I stuck with it but it was a slog at times.
I checked a few reviews before I started this short story collection by William Gibson and a few noted that the final, eponymous, story was the best of the bunch. Reading it I was a little underwhelmed. But reading around it I learned that it was the first use of the word cyberspace back in 1982. This put the whole collection in perspective – forty years later what was once novel is now routine.
My select favourites from this collection include:
The Belonging Kind: a pseudo-noir tale of sleuthing and cybernetics.
Hinterlands: an unsettling space exploration story
An interesting complement to The Candy House with dovetailing characters introduced in each chapter adding to the main party of protagonists. In this thinly-described pseudo-dystopia the idea of nationality is almost foreign. Language is a gloopy tool for expression and nothing and nobody are quite as they appear.
This short novel was dreamlike, lyrical and captivating.
I enjoyed this although it didn’t have the same impact as Goon Squad. The core conceit of wildly overlapping characters was satisfying and the email thread chapter was a gleeful highlight. I found a few of the individual character chapters reminded me of Douglas Coupland short stories where things fizzle out with either mild unease or surprising resolution.
When I write code I don’t expect it to ever have an audience; I’m not accustomed to sharing or collaborating on a codebase. I’m also guilty of refactoring and rewriting everything while I write it rather than planning ahead or saving small issues for a full review at a good milestone. I like to think I’m getting better at this but I’ll often reach for terse snippets instead of clean, readable examples.
In that vein here’s a neat, new-ish JavaScript pattern I always want to use but usually forget.
Sometimes you want to
append to an array if it exists
or if it doesn’t
I used to write something like
const o ={}; const key ='a'; const x ='new value';
A bit of comfort audio whilst recovering from the dreaded Coronavirus. Michael Palin is eternally affable, unflappable and overwhelmingly amiable. It’s strange reading a travelogue from over 20 years ago, a strange snapshot from a distant place and time.
If I’m honest, I don’t wake up everyday thinking, “how can I help people build flowcharts today?”
Life is an unending, interminable, unrepentant, flow of dependencies. To do this, I have to do that. I can’t start something until I’ve completed something else.
I read Living in Data by Jer Thorp and I loved it.
100,000 years ago, early humans were using a blend of red iron oxide, charcoal and bone marrow as a form of paint. Around 40,000 years later an improved mixture of materials such as sap, blood and berry juice was used on cave walls for creative depictions of hunters and herders.
Certain voices stick in your mind. It could be the tone or the surprising emphasis on certain syllables. Sometimes a timbre or an unusual gutteral inflection.
I swear I read an interview with John Darnielle where he recommended “staying out of the results” but I can’t find it now. I can hear him saying it though!
Stay owt … … of the re-sUlts
To me this means having a dispassionate relationship with your work and the effect it has on others. For an artist with a passionate fanbase like The Mountain Goats it’s classic “Death of the Artist” at play – your work will resonate in ways you can’t, and shouldn’t, predict.
For someone like me, it’s about working on something that resonates for me and assuming those vibrations will find a home – even at another wavelength – with others.
Surfing networks, language curiosities and the growing world of "knowlege" "graphs"
Last week I took a long weekend to go surfing in beautiful Tofino. It’s still winter so there’s no way to avoid a thick wetsuit, hood and gloves. It’s been a few years since I last tried it and while I’m only marginally better than I remember, there’s something about the randomness and persistence of the waves that makes it addictive. Falling asleep at night I can still feel the waves rushing towards me (just before another mouthful of saltwater.)
a spasmodic or interrupted effect in medieval and contemporary music, produced by dividing a melody between two parts, notes in one part coinciding with rests in the other
When debugging JavaScript I often find myself swapping arrow functions to old-school ones simply to log variables. But there’s no need! console.log returns undefined so one can simply OR a console.log call to get it to print out before the real return!
A web of plastic, ocean networks and too many crabs
One small but inconvenient pandemic shift is that I’ve found it to be much harder to leave the house without forgetting something. I’m not leaving the house as much, so it’s a novelty to do the usual wallet / phone / keys check. I stepped out to run some errands the other day under an overcast sky. I didn’t get very far before my phone vibrated to tell me that I’d left my keys behind.
Okay, okay this is the first and last time management/productivity book I’ll read this year. But it’s pretty good! An antidote to the others, Burkeman describes the sheer finite nature of our time on this planet and makes recommendations to overcome the fatigue of overflowing todo lists.
Decline to clear the decks
Make it a conscious decision to “tolerate the discomfort” of less important tasks building up while you focus on the most important things.
The measure of any time management technique is: “Does it help you neglect the right things?” To take a phrase from financial planning you should pay yourself first and prioritise the things you want to do over the less important things you feel you should be doing.
Pitfalls of convenience
We have a dependence on technology that makes it convenient to eat, travel and live. Silicon Valley builds products to remove pain points but it’s the brokenness of everyday processes that make us human. By relying on technology to make every process smooth we remove the delicate social threads binding a network together, binding a neighbourhood together.
David Cain on happenstance
I happen to be alive, and there’s no cosmic law entitling me to that status. Being alive is just happenstance, and not one more day of it is guaranteed.
Warren Buffett
Make a list of the top twenty-five things that are most important to you. Top five are the crucial use of your time, discard the rest as they are just a distraction.
Idleness aversion
“Core ingredient of the modern soul.”
Developing patience
Develop a taste for having problems
Embrace radical incrementalism; focus on brief, regular actions over trying to do too much at once
Originality lies on the far side of unoriginality, “stay on the fucking bus!”
Time is a “network good”
Value is derived from how many others have access to it too. Same for phones and social media networks.
Chain of centennial lifespans
35 to Egyptians
20 to Jesus
5 to Henry VIII
60 for all humans
Egocentricity bias
We look after ourselves to give the best chances of staying alive. This is in contrast to our sheer insignificance.
Five questions to consider
Where are you pursuing comfort when you should pursue discomfort? Choose uncomfortable enlargement over comfortable diminishment.
Are you holding yourself to standards of productivity and performance that are impossible to meet?
In what ways have you accepted who you are, not who you think you ought to be?
What areas are you holding back until you feel like you know what you’re doing?
Without worrying about actions reaching fruition, how would you spend your days? Do the next and most necessary thing.
Recommended steps
Use open/closed todo lists
Set pre-determined time boundaries
Focus on one big project at a time
Strategic underachievement (decide what to fail at)
Zooming out, finding commonality and the surprising benefits of having a foggy outlook.
Hello and welcome to my new subscribers! It’s been a while so just a quick intro to start: this is source/target, an occasional newsletter on network thinking. There’s an unsubscribe link at the bottom but I hope you’ll stick around.
The real-life impact of our technical decisions really hit home to me once again: my Mom had trouble volunteering and participating in her local community because somebody shipped the optional chaining operator in their production JavaScript.
This book was fantastic. A deep dive into how people self-justify their actions and the cognitive dissonance they are comfortable living with.
Pyramids
The guiding metaphor of this book has been the pyramid of choice: As soon as people make a decision, whether reasoned or impulsive, they will change their attitudes to conform to that choice and start minimizing or dismissing any information suggesting they chose the wrong option.
Imagination Inflation
more you imagine something, the more confident you become that it really happened—and the more likely you are to inflate it into an actual memory, adding details as you go
Benevolent Dolphin Problem
A fun shorthand example for confirmation bias.
There are stories of dolphins helping nudge shipwrecked humans to safety. To accept this as evidence they like humans we would need to know about cases where dolphins have caused harm and, ultimately, have killed humans. But
We don’t know about those cases because the swimmers don’t live to tell us about their evil-dolphin experiences.
Arrogance Control
At its core, therefore, science is a form of arrogance control.
Retaliation
We can all understand why victims would want to retaliate. But retaliation often makes the original perpetrators minimize the severity and harm of their side’s actions and claim the mantle of victim themselves, thereby setting in motion a cycle of oppression and revenge. “Every successful revolution,” observed the historian Barbara Tuchman, “puts on in time the robes of the tyrant it has deposed.” Why not? The victors, former victims, feel justified.
A project to build shouty little presentations using Eleventy. Makes text as large as possible and includes website screenshots, syntax highlighting and some basic theming.
I’ve previously used Tom MacWright’s big tool to make simple, text-heavy presentations with from plain HTML and a sprinkling of JavaScript. As someone who deliberates over slide layouts and procrastinates practice by tweaking text alignments it’s very helpful!
Preparing for a talk on the static site generator, Eleventy, I wondered if I could apply the same concepts to building a slide deck as I have for my Eleventy sites. The main benefits to me were to allow slides to be written in Markdown and provide a base configuration to sprinkle extra Eleventy magic like shortcodes in the future.
I tried a few approaches to massage the Markdown input into the format that made the most sense for Eleventy. I rabbit-holed a few times with the HTML transformations required and hacking the copied version of client-side big.js into something I fully understood.
Is it better than big? I don’t think so. Was it fun to build? Yes. Will I use it in the future? Probably!
On November 29th I gave a talk at the CambridgeJS meetup on a favourite topic of mine: the static site generator Eleventy. I gave it the listicle-adjacent title “Eleven Reasons to Love Eleventy” but I didn’t go to great lengths to declare what each of these were.
Slides and notes from my presentation are available but I wanted to spell out the bones of my talk and record the magnificent Eleven for posterity.
Simple & Flexible
Eleventy is a super simple static site generator. In short it takes input files like Markdown and converts it into website. Critically no boilerplate or JavaScript code is included by default which give a really great base to add whatever bits and pieces you wish to add to your site.
Unopinionated Templates
Unlike other static site generators, Eleventy supports many template languages out of the box. My preference is Nunjucks, a reasonably intuitive language to do a sort of meta-programming on top of whatever file you wish to generate.
Eleventy allows you to use a blend of different templating languages in one site. One benefit of this flexibility is that it makes the process of migrating over from a alternative generator a cinch: you can “progressively” migrate content and formats as needed.
Written in JavaScript
Eleventy is written in JavaScript and it’s easy to use the language to do core configuration of your site. Custom shortcodes – snippets that can be expanded into wider markup from a small string can also be written in JavaScript along with transforms. These allow you to transform your HTML before being output in your application.
The Eleventy documentation takes care to note it is not a JavaScript framework itself. By being in the JavaScript ecosystem, Eleventy allows you to leverage the depth and breadth of packages available on NPM.
As you define every bit of code and markup that ends up on your website you it’s not uncommon to find yourself writing more JavaScript used to generate your site than actually deployed to end users.
Pagination
Eleventy pagination makes it easy to split collections of materials into chunks for your site. It can also be used to create multiple outputs for the same input – I use it to generate OpenGraph images for social sharing and email markup for my newsletter.
Data Cascade
Underpinning every Eleventy configuration is a flow of data from a variety of different sources and blended together according to a hierarchy of inheritance. For the best summary of what this means check out Ben Myer’s full coverage.
Extensible
Eleventy doesn’t care about the other libraries and tooling you may wish to use. There are countless starter templates covering a wide variety, from Gulp to PostCSS, Tailwind to Vite. As an extra bonus many of these have full marks over on Google Lighthouse.
Plugins
There are a wealth of fantastically useful plugins for Eleventy. Many plugins are official ones solving real problems in convenient and modular packages.
To give two examples: Eleventy Image makes it easy to generate modern image formats and necessary markup. Eleventy Syntax Highlighting makes it easy to add language highlighting in code snippets without requiring client-side JavaScript.
Accessibility
The documentation and ethos of Eleventy prioritises and promotes accessibility when building websites. Official plugins like Inclusive Language normalize considering accessible language when writing content for an Eleventy site. As per the documentation (emphasis mine):
It’s very important that we take responsibility for the code we publish and deliver and strive to correct accessibility issues with the same veracity as a full service outage.
Fast
I’m a nosy web browser – whenever I come across a site that impresses me I reach for one of my favourite Firefox extensions: Wappalyzer. This takes an educated guess at the technologies used to build sites. A site built with Eleventy will have very few “tells” that give away it’s generator and it’s invariably the fastest sites that don’t have anything in their Wappalyzer results.
On the other (server) side – Eleventy builds are very quick to run and will provide pointers if particular configurations start to slow down the build.
Community
My experience with the Eleventy ecosystem is that of collaboration and camaraderie in the name of making great websites. The Eleventy community Discord is friendly and the regular Eleventy meetups are supportive and welcoming.
It’s Fun
Finally I find that the documentation and general ethos of Eleventy is fun – from the reassuring possum mascot to irreverant humor sprinkled around the documentation.
I like to say that Eleventy sites are “hand-crafted but not by hand.” By being in full control of the process outputs it’s fun to build sites that have everything you need and nothing you don’t.
My handwriting isn’t very good. You might even go so far to say it’s bad. I remember being told to write my name again and again at school as I couldn’t seem to get my cursive to a good enough quality for my teacher. After years of preferring to hammer away with the clacky safety of a keyboard I find myself reaching for a pen a lot more often than ever before. I scratch away with a feisty little compact fountain pen in a little journal and dabble with sketching pictures as a form of self-acceptance for a handwriting ability I was always ashamed of.
At this time of year my usual error is to coast into a “Christian” when I mean to write “Christmas,” but writing a handful of cards today my mind wandered and I slipped out a “great” when I meant to write “grateful.” I stared blankly at the page and considered scrapping the card in favour of a clean slate – a fresh card without evidence of err.
It’s hard to make this sort of error when typing an email. You may make typos but you’ll summon the squiggly reds and some forgiving, trusty backspacing will make everything okay. The tablet I use for sketching has a helpful undo button but every press and resulting removal of the last stroke feels like a cheat, a betrayal of the intent of the moment.
I leaned into the “great” mistake and made it part of the message with a splotch of extra ink. I don’t think it looked bad. In fact, in some small way, I think it made it better.
When writing a card my handwriting is me, writing a card, by hand. Making mistakes is okay.
Short and sweet, the core few concepts in this book resonated with me and have clear applications in sales. The title and main conceit is a touch misogynistic, sure, but the author isn’t the first to recommend speaking to someone unfamiliar with a topic to gauge quality.
A recent New York Magazine article about the late “anarchic anthropologist” David Graeber, notes the use of his mother Ruth as an influence on his work:
Ruth herself never went to college. She was a constant reader, however, and years later, she was the audience her son kept in mind when he wrote. Graeber, Leve recalls, used to say that “if he understood something, he should be able to write it in a way that would be accessible and interesting to her.”
My main takeaway is that it’s easy to lead people to say the things they think you want to hear.
The Mom Test
Rules of The Mom Test:
Talk about their life instead of your idea
Ask about specifics in the past instead of generics or opinions about the future
Talk less and listen more
It’s easy to get someone emotional about a problem if you lead them there.
Good questions about them:
“Who else should I talk to?”
“Where does the money come from?”
Avoiding bad data
Deflect compliments
Anchor fluff - “tell me about the last time this happened”
Dig beneath opinions, ideas, requests, and emotions
“Venture capitalists are described as professional judges of the future” – I like that.
Sometimes people will discuss a problem that irritates them but they would have no intent of buying a solution to that problem.
that person is a complainer, not a customer. They’re stuck in the la-la-land of imagining they’re the sort of person who finds clever ways to solve the petty annoyances of their day.
It’s recommended to cut off pitches as early as possible:
Being pitchy is the dark side of the “seeking approval” coin. Instead of inviting compliments by being vulnerable, you’re demanding them by being annoying. It’s when you hold someone hostage and won’t let them leave until they’ve said they like your idea. Normally, compliments are well-intentioned. In this case, they’re just trying to get you out of their office. “Won’t-take-no-for-an-answer” is generally a good quality for a founder to have. But when it creeps into a conversation that’s meant to be about learning, it works against you.
Asking important questions
Avoid prematurely zooming – that is getting into the weeds hearing what you want to hear.
When you fall into a premature zoom, you can waste a ton of time figuring out the minutia of a trivial problem. Even if you learn everything there is to know about that particular problem, you still haven’t got a business
If you ask When he talked to farmers, he asked questions like, “Would you switch trackers if something cheaper and more effective was available?” That’s the same as asking someone whether they would like more money.
Commitment and advancement
It’s on you to get a commitment. This can take many forms:
Time commitments
Clear next meeting with known goals
Sitting down to give feedback on wireframes
Using a trial of the product for a non-trivial period
Reputation risk commitments:
Intro to peers or team
Intro to a decision maker (boss, spouse, lawyer)
Giving a public testimonial or case study
Financial commitments:
Letter of intent (non-legal but gentlemanly agreement to purchase)
Pre-order
Deposit
Good rule of thumb:
It’s not a real lead until you’ve given them a concrete chance to reject you.
Finding conversations
The author discusses some strategies to talk to potential customers about your idea.
Be persistent:
Unless your plan is to sell your app via cold calls, the rejection rate is irrelevant.
Strategy for conversations is summarised as Vision / Framing / Weakness / Pedestal / Ask
Don’t mention your product, just your vision:
You’re an entrepreneur trying to solve horrible problem X, usher in wonderful vision Y, or fix stagnant industry Z.
Frame expectations:
mention what stage you’re at and, if it’s true, that you don’t have anything to sell.
Show weakness:
give them a chance to help by mentioning the specific problem that you’re looking for answers on. This will also clarify that you’re not a time waster.
Put them on a pedestal:
show how much they, in particular, can help. Explicitly ask for help.
In terms of mindset, don’t go into these discussions looking for customers. It creates a needy vibe and forfeits the position of power. Instead, go in search of industry and customer advisors. You are just trying to find helpful, knowledgable people who are excited about your idea.
Running the process
When all the customer learning is stuck in someone’s head instead of being disseminated to the rest of the team, you’ve got a learning bottleneck. Avoid creating (or being) the bottleneck. To do that, the learning must be shared with the entire founding team promptly and faithfully, which depends on good notes plus a bit of pre- and post-meeting work.
Conclusion
You’re never going to be perfect, but it always helps to be better.
I keep thinking about Adam Buxton quoting Karl Pilkington.
People don’t like it if they think you’re trying too hard
It’s part of a podcast on Adam’s craft of writing silly jingles and he’s describing an encounter years ago where Karl gives him some advice at the XFM radio station.
(In that same episode Adam notes the value of sticking at something – persistency!)
I’ve started listening again to the recordings of Ricky Gervais, Stephen Merchant & Karl Pilkington from their weekly show on XFM from the early 'aughts. I’m sure I’ve listened to the whole archive at least once – there’s an air of deep familiarity about the whole thing. Last night one comment stopped me in my tracks and made me feel old. In his usual laconic drawl Karl recounts being stopped in the street by someone asking if he practices meditation and “knows how to breathe.” There’s a pause and Karl says
I’m thirty
As well as being hilarious it’s shocking to me that Karl was just 30 as his fame was growing due to his exposure via proximity to Ricky.
Strange things can make you reflect on time passing, I guess this is just one for me.
I get a small amount of joy from the handful of newsletters I subscribe to. Here they are in no particular order.
Drawing Links
Drawing Links is the newsletter I recommend to everyone. Subscribe for little comic strip vignettes from Edith’s day-to-day accompanied by high-quality recommendations and her sharp eye for humour.
Dense Discovery
Dense Discovery is a blend of productivity and design along with a smattering of climate and environmental coverage. It’s one of the more beautiful emails I receive and, arriving on Monday, it slots comfortably into my inbox as I start my week.
HN Blogs
This newsletter feels like a secret: Paul collates submissions to Hacker News that point to personal and independent sites. By avoiding the links that ascended to the front page it’s a helpful look at the nearly-made-its.
The signal-to-noise ratio is skewed slightly to the noise, but it’s smaller compared to the Hacker News firehose. I’ve found a wealth of interesting views and people through this newsletter.
Hello from Duncan
Duncan’s newsletter helped me appreciate the value of working in public. In it he recounts and discusses that which he’s worked on in the last 10 days. Since reading the reborn version of his newsletter I’ve understood better how I work and reflected on how I can be a better contributor to projects.
Reply All
I don’t remember actively registering for this newsletter and I stopped listening to Reply All a while ago but I let these recommendations slip into my inbox as they’re often good value. It’s funny to see the creep of Spotify links into the recommendations since the acquisition.
Today in Tabs
A relative newbie, it took me a few editions to appreciate the zippy, irreverent Today in Tabs from Rusty Foster. I’m since a convert, Rusty lives and breathes misanthropic internet and exudes equal parts joy and disdain for the world wide web in 2021.
Like an overstuffed tab bar of pages you promise you’ll read, each edition groans under the weight of itself. I always get a mixed wave of disappointment/relief when I reach the end.
An Irritable Métis
I love Chris La Tray’s writing and appreciate his perspective on some important topics. Arresting and disarming.
Exclusive Content by Megan Koester
Exclusive Content is exhausting. Acting as a biographical outlet, commentary on the dysfunctional comedy industry and scathing look at late-stage capitalism, Koester’s emails are an (un)healthy dose of anger and skepticism.
Unsupervised Learning
Daniel Miessler’s weekly email summarizing news on cybersecurity and technology was the first newsletter I subscribe to where I realized people were committing to writing and creating a newsletter.
Miessler does a great job at giving enough commentary on news to be helpful but not overbearing.
Where’s Your Ed At?
When I first read Ed Zitron’s newsletter I was turned off by his tendency to ramble. Recently, however, he’s truly knocked “it” out of the park with some head-turning takes on remote work and related topics. It’s refreshing to read someone so utterly committed to their takes and I like that.
Money Stuff
I subscribed to Money Stuff years ago but had to cut it loose after feeling overwhelmed by the sheer volume and quality of this daily newsletter. I picked it up again this year during the GameStop chaos and find it a really rewarding read. Levine’s writing is superb and I’m constantly in awe of his voice and ability to explain. It’s also really funny!
Noah Kalina
I find this newsletter a little infuriating – it seems so effortless. Photographer Noah Kalina shares some photos and a short commentary on life’s mundane side quests. It always makes me smile.
Laura Olin
An airy mix of internet and art, Laura Olin’s newsletter is short and well-crafted.
Data is Plural
A fantastic newsletter and resource: Jeremy Singer-Vine curates and provides links to datasets available online. It’s an impeccable treasure trove of real-world data.
I love taking longform articles and newsletters over to Instapaper for some calm, distraction-free reading. But my backlog of articles was gnawing at me. Would I ever read everything in there? Probably not. I occasionally tried the “read a random article” in a vain attempt to slice through some ancient article artifact from 2019 but it was like bailing a boat with a teacup – a flood of pushes from my browser would offset any work I could skim away.
I have three solutions to this problem:
Be more mindful about what I save – will I actually read this?
Be more ruthless about not reading something if it doesn’t pique my interest in the first few paragraphs.
Wipe out the backlog! There’s a helpful “Archive All” option. Since invoking that I feel so much better.
“We, and I personally, believe very strongly that more information is better, even if it’s wrong. Let’s start from the premise that more information, more empowerment, is fundamentally the correct answer"
I can get behind this in an “information just wants to be free” sense but it’s a strange position. If we could easily classify and label wrong information as such then the existence of it could help explain actions and feelings. But that classification is hard and takes time, meanwhile that wrong information may be causing irreversible damage.
This time last week I was halfway through a six hour, round-trip hike to an alpine lake. My partner had taken the week off and we’d climbed high enough to have hit some light snow about an hour ago. Our phones had been without signal for two hours, and we hadn’t seen another soul for three. Suddenly we came across a dank, magical grove filled with the most beautiful mushrooms I have ever seen.
Q: Sometimes it takes me forever to finish a comic because I’m constantly going through phases of “this is good, ppl wanna read this” vs “wow my stuff is trash and no one will want this.” Do you get phases like this? How do you stay motivated?
I think you’re essentially describing my base-level mental state while making comics. I honestly can’t imagine going through the process of making a book with unwavering confidence and self-satisfaction. It’s difficult, but I think the key to managing these kinds of “bi-polar” thoughts is to be as objective as possible. Make sure you’re not deluded in either direction, and try to evaluate your work in a way that’s critical but not defeating. I also think it’s useful to not obsess too much about how people will receive the work, and to instead focus on just making it as satisfying to you as possible.
But even after presenting students with every metaphor in the books, Colling still isn’t positive that his students get what he’s talking about: “It feels like I’m having some success, but yeah, sometimes it’s hard to tell,” he says.
Without any point of reference Gen Z are struggling to grasp traditional file systems – File Not Found
I’ve been picking this up every other week since I was gifted it last Christmas and I finally finished it with a burst of completionism. It’s a beautiful curation of Japanese short stories from between 1898 and 2014 translated to English. I enjoyed all of them with the exception of the gory “Patriotism” by Mishima Yukio.
It was so rewarding to read each short story before flipping back to the commentary from Murakami. I now have a much deeper appreciation for Japanese literature and will definitely seek out some of the further reading.
Here are my favourite short stories in this collection:
Kono Taeko – In the Box
This is a story of a petty grudge and sheer irrational behaviour. I loved it for the lack of explanation and the domestic yet unpredictable setting.
Natsume Soseki – Sanshiro, Chapter 1
A strangely nostalgic tale of transition to a big city.
Tanizaki Jun’ichiro – The Story of Tomoda and Matsunaga
The book starts with this novella of sorts: a mildly unbelievable but alluring mystery that slowly unravels.
Genji Keita – Mr English
I enjoyed just how mundane this story was. A tale of work politics and salarymen.
Betsuyaku Minoru – Factory Town
An allegory with a plausible backbone. Written in 1973 but could have been published in the last decade.
Uchida Hyakken – Kudan
This short story was from the section entitled “Dread” and describes a Kafka-esque world of transfiguration and misunderstanding. Haunting.
Sawanishi Yuten – Filling Up with Sugar
An unsettling depiction of the decline of a relative to a fantastical disease. Pay close attention!
Seirai Yuichi – Insects
A heartbreaking account of the fallout from atomic warfare, wonderfully crafted and deeply evocative.
I was pretty cynical about this at first as I thought I’d heard it all before. I think this should be required reading for anyone working with data. I can’t shake that the injustices created by the use of data as described in this book are just the tip of the iceberg.
Just like with Humankind’s homo puppy I winced at the use of the WMD acronym, a purposefully overloaded term.
Three factors to systems deemed “Weapons of Math Destruction”
Opacity: Are the rules of the system transparent to those that are being judged and analysed?
Scale: Does the model have the capability to grow exponentially?
Damage: Is the model unfair? Does it have a “pernicious” feedback loop that only makes it more unfair?
Clopening is when a worker is scheduled to both close a location at night and then re-open it in the morning. This can be stressful and result in an erratic schedule for workers balancing a number of responsibilities.
A large amount of Facebook users believe the algorithm behind the scenes is just presenting factual information and isn’t tailored to them.
In 2013, when a University of Illinois researcher named Karrie Karahalios carried out a survey on Facebook’s algorithm, she found that 62 percent of the people were unaware that the company tinkered with the news feed. They believed that the system instantly shared everything they posted with all of their friends.
I wonder if this is still the case eight years later?
O’Neill uses the phrase “birds of a feather” a few times to discuss how members of the same social network will often behave in similar ways. One example is that they may click on the same ads on Facebook.
Some recidivism analyses use this concept and inadvertently encode bias by taking acquaintances, jobs and credit rating to predict behavior. This sort of data would be inadmissible in court.
Interesting dataset alert:
A few years ago, MIT researchers analyzed the behavior of call center employees for Bank of America to find out why some teams were more productive than others. They hung a so-called sociometric badge around each employee’s neck. The electronics in these badges tracked the employees’ location and also measured, every sixteen milliseconds, their tone of voice and gestures. It recorded when people were looking at each other and how much each person talked, listened, and interrupted. Four teams of call center employees—eighty people in total—wore these badges for six weeks.
It feels nice to feel wanted and equally bad when you don’t feel wanted, even if the matrix through deciding you’re unwanted is literally “the numbers are the same or slightly lower than before.”
I personally (and presume others do too) find myself adding way too much stock to people’s willingness to do these things naturally - if someone doesn’t retweet something, it’s a split-second decision likely based on whether it immediately made them laugh or happy, or resembled something they deeply care about. That split-second decision is genuinely meaningless to them - they can (and will!) move on almost instantly. Still, in the grand scheme of content, these minor social media moves are so significant to people in such an outsized way that I believe drives them a little bit insane.
The dialogue is a little clunky and I need to do some reading around Adlerism but there were quite a few “aha” moments for me in this book. It was a library loan but I picked up a copy to give myself more time with it.
causation/purpose
Etiology is the study of causation while teleology is the story of the purpose of a given phenomenon, rather than it’s cause. In Adlerism we don’t think about past “causes” but instead about present “goals.”
Lifestyle is the tendencies of thought and action in life.
No matter what has occurred in your life up to this point, it should have no bearing at all on how you live from now on.
A life-lie is the state of coming up with all manner of pretexts in order to avoid life tasks. e.g. “I’m busy at work so I don’t have enough time to think about my family.”
Separation of Tasks
All problems are interpersonal relationship problems.
Adlerism denies the need to be recognized by others, one must not seek recognition. You are not living to satisfy other people’s expectations. Do not behave without regard for others – separation of tasks. All interpersional relationship troubles are caused by intruding on other people’s tasks, or having one’s own taks intruded on.
The life tasks of interpersonal relationships are:
“Tasks of work”
“Tasks of friendship”
“Tasks of love”
We need to think with the perspective of “Whose task is this?” and continually separate one’s own tasks from other people’s tasks.
Who ultimately is going to receive the result brought about by the choice that is made?
Intervening in other people’s tasks and taking on other people’s tasks turns one’s life into something heavy and full of hardship.
All you can do with regard to your own life is choose the best path that you believe in. On the other hand, what kind of judgment do other people pass on that choice? That is the task of other people, and is not a matter you can do anything about.
Horizontal and Vertical relationships
Horizontal relationships are relationships where members have equal standing whereas vertical relationships are those where one member has greater power, authority, knowledge or wisdom over the other.
Don’t praise or rebuke: praise is passing judgement from someone with ability to someone with no ability. By praising we are making vertical relationships, not horizontal ones. All healthy relationships should be horizontal.
The more one is praised by another person, the more one believes they have no ability.
Go from praise to gratitude.
Community
When Adler refers to community, he goes beyond the household, school, workplace, and local society, and treats it as all inclusive, covering not only nations and all of humanity but also the entire axis of time from the past to the future.
The scope of community is infinite! People are never truly alone or separated from community and cannot be.
You must consider yourself part of the community rather than the centre of the world. The goal of personal interpersonal relationships is a feeling of community. Use separation of tasks to “unravel the threads of the complex entanglement of one’s interpersonal relations.”
When running into difficulties in interpersonal relationships, one should zoom out and “listen to the voice of the larger community.”
Dots
Life is a series of moments called now, not a linear map from birth to the top of the mountain.
Think of this as a line drawn with pencil, if you magnify enough it’s made up of tiny dots. These are the now.
A very readable, refreshing look at human nature. I didn’t expect to enjoy this quite so much. The author covers a fascinating array of studies and historical examples to show that, contrary to popular belief, people tend towards being good.
I cringe a little at the repeated reference to homo puppy – the moniker given to the empathetic humans we evolved to be.
Availability Bias: if we can easily recall examples of a given thing, we assume that thing is relatively common.
It’s suspected that, across history, the vast majority of soldiers never actually fire their weapons.
There are many examples of studies that were skewed by the researchers to be more divisive and shocking. This includes the Stanford Prison Experiment and Milgram’s shock machine.
Nocebo: Tell someone that they may experience symptoms from a harmless substance and they likely will feel those symptoms. Self-fulfilling diagnosis.
Pygmalion Effect: beliefs we’re devoted to – whether they’re true or imagined – can likewise come to life, effecting very real change in the world.
Golem Effect: when we have negative expectations around someone we distance ourselves from them. This will lead to poorer performance by that person. Negative expectation can result in negative results.
Participatory budgets are used by some governments to allow citizens to have a direct input into the budget process for their municipality. These have been shown to improve engagement, inclusion, trust and transparency.
Alaska has a “Permanent Fund Dividend” – unconditional money for citizens that fosters trust and ultimately reduces poverty.
The author takes a dim view on the Broken Windows theory and highlights many criticisms and negative impacts of the application of the theory in policing.
Ten Rules to Live by
When in doubt, assume the best
Think in win-win scenarios
Ask more questions
Temper your empathy, train your compassion
Try to understand the other, even if you don’t get where they’re coming from
Love your own as others love their own
Avoid the news
Don’t punch Nazis
Come out of the closet: don’t be ashamed to do good
Reading them in quick succession it’s hard not to blend the worlds of Project Hail Mary, Three-Body Problem and Ministry for the Future into one. Speculative near-future fiction with climate overtones, spaceships and a hope for cooperation between the entire human race.
The main character in this jarred on me at first but reading around I appreciate that Weir’s “gee-whiz” schoolteacher is a tongue-in-cheek inversion of the sweary protagonists of his previous books.
Really enjoyed this, appreciated the thorough science, twists and dedication to an idea.
The best translations into English do not, in fact, read as if they were originally written in English. The English words are arranged in such a way that the reader sees a glimpse of another culture’s patterns of thinking, hears an echo of another language’s rhythms and cadences, and feels a tremor of other people’s gestures and movements.
A book of two halves. I loved the first part as Newport described how email overtook as the dominant communication method for businesses, despite being inferior to traditional methods.
A misjudged reference to The Tragedy of the Commons marked the beginning of the book’s decline. The author describes common Kanban tools, provides some introspection on writing the book and finishes by rattles off a few productivity life hacks.
The bits I liked the most echoed Newport’s advice in Deep Work and Digital Minimalism.
Technological Determinism happens when we allow technology to control how we act and behave
Exploring the various types of networks from the Tokyo Olympics
I used to work with someone who would take weeks off work to do nothing but watch the Olympics. Summer or winter he would close the blinds, order takeout and multi-screen his way through a slew of sporting excellence. He was predictable like that.
I had high hopes for this book at the start but my enthusiasm waned towards the end. The optimism of the spunky, tech-savvy protagonist and ease in which he could achieve his goals soon grew weary as the mystery slotted into place.
I was surprised how much the book aligned with my interests, in particular data visualization, typography and cryptography. It reminds me there are many people interested in the intersection of these topics.
The fawning Google-worship proved too much. The undeserved, magic code-breaking scene betrayed what is otherwise a reasonable “hard” science fiction fantasy book. The fantasy-novel-in-a-novel failed to escape it’s use as a plot device and a vehicle for some cringe-worthy geekery. Oblique references to Harry Potter were apt considering the author’s fondness for Dumbledore-adjacent names.
All that being said I did enjoy this and I’m not sure why I’m being so harsh. The book just seemed to go off-the-rails a third of the way through and never recovered.
I wasn’t sure at first but this turned out to be a good listen. Lots of helpful considerations for successful transactional conversations. One undercurrent in the book was that a strong negotiation strategy is simply to buy time and extract information from your “counterpart” to aid the process of reaching an agreement.
Labelling is an interesting idea. Effectively calling out something for what it is without ascribing blame.
It seems that …
rather than
I think you …
Harks back to non-violent communication with the aim of being as non-judgemental as possible.
Similarly I liked the example Voss gave of showing contrition early if you’ve done something wrong. Getting ahead of the situation and keeping in control.
Mirroring is a remarkable active listening device with a clear benefit.
Voss recommends leaning into the conflict that’s at the core of any negotiation and to see it as a collaborative process to reach agreement.
Calibrated questions should be used early and often in negotiations. Voss’s favorite is the oft-repeated
How am I supposed to do that?
but any open question that draws information out of your counterpart is worth using. Questions starting with “how” or “what” will spark a cooperation for both sides to agree.
I should emphasize that this is not investment advice and I am probably wrong? Like, one, I’m wrong about every prediction I make, and, two, in this case there keep being articles quoting professionals saying “this is going to be a wild one” and you should probably believe them instead of me. I am just laying out my thinking here so we can understand how I’ll be wrong.
There were a few humorously archaic references in this book, but for the most part it holds up 100 years later!
Here are the main rules that stood out to me, most likely because I flout them all.
Usage
Form the possessive singular of nouns by adding 's
In a series of three or more terms with a single conjunction, use a comma after each term except the last.
Oxford comma, I don’t do this but perhaps I should?
Enclose parenthetic expressions between commas
I do a lot of parentheticals. Good core rule to remember.
Place a comma before a conjunction introducing a co-ordinate clause.
So before the and or but. I need to do this.
Do not join independent clauses by a comma.
If two or more clauses, grammatically complete and not joined by a conjunction, are to form a single compound sentence, the proper mark of punctuation is a semicolon.
Or a period.
Do not break sentences in two.
A participial phrase at the beginning of a sentence must refer to the grammatical subject
e.g. about the subject of the sentence:
Walking slowly down the road, he saw a woman accompanied by two children
vs. referring to the woman
He saw a woman accompanied by two children, walking slowly down the road.
Composition
One paragraph to each topic
Begin each paragraph with a topic sentence, end it with conformity with the beginning
Use the active voice as it’s more “direct and vigorous”
A common fault is to use as the subject of a passive construction a noun which expresses the entire action, leaving to the verb no function beyond that or completing the sentence.
e.g. A survey of this region was made in 1900 vs. This region was surveyed in 1900.
Put statements in positive form
Use definite, specific, concrete language
Omit needless words
Avoid a succession of loose sentences
Express co-ordinate ideas in similar form
Keep related words together
The subject of a sentence and the principal verb should not, as a rule, be separated by a phrase or clause that can be transferred to the beginning.
In summaries, keep to one tense
Place the emphatic words of a sentence at the end
Words to avoid
Certainly, can (instead of may), factor, feature, interesting, so, sort of, kind of, system, very, while
My recent reading list tracks Tom Macwright’s closely, mainly because I see he’s rated something with five stars so I go to the library website to add it to my holds. But I forget to pause the hold until some reasonable date in the future, the book arrives at the library and – bam – I start it in earnest.
This book hooked me. The sharp character observations along with the grey areas of intent and purpose made it a magnetic read. I respect the ending but it felt a little unresolved.
This was really good. A very clear, cogent take on the craft of writing. It almost made me want to start writing a novel.
On distractions
… I’m sure all writers feel pretty much the same, no matter what their skill and success level: God, if only I were in the right writing environment, with the right understanding people, I just KNOW I could be penning my masterpiece
In truth, I’ve found that any day’s routine interruptions and distractions don’t much hurt a work in progress and may actually help it in some ways. It is, after all, the dab of grit that seeps into an oyster’s shell that makes the pearl, not pearl-making seminars with other oysters. And the larger the work looms in my day—the more it seems like an I hafta instead of just an I wanna—the more problematic it can become.
A look at network graph design through the lens of Edward Tufte
Edward Tufte has informed and inspired data practitioners for, literally, decades. A lot has been said about his forthright opinions on information design and one can draw a direct link between his work and the attention to detail many aspire to when they create visualizations for consumption.
I’ve been Zooming a lot this year, like everyone else, and I always end my calls by closing the lid of my laptop. Maybe that’s all death is: the laptop closing, nothing cosmic, just a gentle click as we stop using our app.
I love this. It’s like putting a landline handset down on or snapping a flip phone shut.
I don’t have any plans to interview anyone but this was a good read on the things to consider if I ever do. The tone was a touch smug at times but it was a breezy read with plenty of anecdotes to help it flow.
Finding a way in
Nelson suggests finding something unusual that proves you have done your research and shows the interviewee that they are in safe hands. One example digs into the craft – Nelson asked about a particularly long sentence in something Gay Talese had written. Looks like it’s reproduced in this article.
Heat and Like
Heat for heat’s sake or heat for light’s sake
This is referenced a few times, the first time as quoted from Chris Wallace. I really like it. “Heat for heat’s sake” is something that’s pleases an audience. I liken it to virality online and pushing for controversy. “Heat for light’s sake,” however, is the process of “making things a little bit difficult for the object of your scrutiny in order to really try to help the audience understand.”
In my comparison to online discourse this would be drawing attention to something in a non-confrontational way for the purposes of greater awareness.
Open Questions
Unsurprisingly open questions are lauded as important devices for getting good answers from interviewers.
What kind of father were you?
What do you think?
There are also lots of examples of asking questions that you already know the answer to in order to keep in control of the interview. This is a powerful technique when combined with the knowledge you’ve learned “on backround.” But if you don’t know then stick to open questions:
Did it change you in some way? How so?
Always end an interview in this way
“Can you tell me the exact spelling of your name”
This is a surprising question to most and even if someone has a “conventional” name confirming regardless will ensure that the printed result won’t upset them in some way. At the least you will prove that you’re thorough.
“Is there anything I should have asked you that I didn’t ask?”
Give your source a chance to tell you something that they were hesitating to bring up.
“Who else should I talk to?”
I love this because it’s all about referrals and loops. “There’s always someone who knows more, someone behind the scenes, someone who isn’t quoted or sought out very often.”
“May I contact you later once I write this in case I need some more information or clarification?”
Leaving the door open with a source is likely to pay off in the future.
Creativity budget
As per Anne Lamott,
each of us has a hundred dollars of creativity to spend each day. How will we spend that hundred dollars? If we just have two hours available to write today, we could spend some of that time on the internet […] Then we can focus on getting our work done—wisely spending the remaining dollars.
You can’t bank this money, “You get a hundred dollars today”
The interview is not about you
Above all a good interviewer leaves their ego at the door. An interview is not about the interviewer. In the same vein one should learn to be comfortable with silence if it helps draw out interesting details from a source.
An audience with…
When interviewing and unsure about your source you should consider your audience and try and focus on one person in particular. Consider what they would want to know from this source and take away from the interview. This holds for all writing.
I thoroughly enjoyed this book. It opened my eyes to the new realities of climate change but matched those realities with some thought-provoking, optimistic steps we could take in the future.
I found myself marking lots of pages with interesting ideas and collated them below.
Gini coefficient
The Gini coefficient is a measure of income or wealth disparity in a population, typically given as a fraction between 0 and 1.
0 is the coefficient if everyone owned an equal amount, 1 is for if one person owned everything and everyone else nothing.
The Gini coefficient for the whole world’s population is higher than for any individual countries as there are so many more poor people in the world. It’s roughly 0.7 for the world.
Monocausotaxophilia is the love of single ideas that explain everything – “one of humanity’s most common cognitive errors.” The Gini coefficient is a good example of this, some countries have the same coefficient despite a large difference in the average annual income. We should consider the spread between the richest and the poor.
Cognitive errors
Foreshortening is a common perceptual distortion.
When standing under a cliff in the mountains and looking up at it, the cliff always appears to be about the same height—say a thousand feet or so. … Only when you get miles away […] can you actually see the immense height …
Other cognitive errors include “anchor bias (you want to stick to your first estimate or what you have been told) and ease of representation (you think an explanation you can understand is more likely to be true than one you can’t).”
The book mentions an “excellent circular graphic display of cognitive errors” – it could be this graphic but it doesn’t quite match the description.
Another one from later in the book is the “availability heuristic,” in which you feel that what is real is what you know.
Secret actors
Hebrew tradition speaks of those hidden good people who keep the world from falling apart, the Tzadikim Nistarium, the hidden righteous ones. In some versions they are thirty-six in number, and thus are called the Lamed-Vav Tzadikim, the thirty-six righteous ones.
They emerge and act when needed to save their people before sinking back into anonymity. They are exemplars of humility, if someone were to proclaim himself to be one of the Lamed-Vav, this would be proof that actually he was not. The Lamed-Vav are generally too modest to believe they could be one of these special actors.
The stories of secret actors are the secret action
Paradoxes
The Jevons paradox is that increases in efficiency in the use of a resource lead to an overall increase in the use of that resource, not a decrease. Originally written in reference to the history of the use of coal.
At this point it is naïve to expect that technological improvements alone will slow the impacts of growth and reduce the burden on the biosphere.
2,000 Watt Society
The 2000-watt society is an environmental vision, first introduced in 1998 by the Swiss Federal Institute of Technology in Zürich (ETH Zurich), which pictures the average First World citizen reducing their overall average primary energy usage rate to no more than 2,000 watts (i.e. 2 kWh per hour or 48 kWh per day) by the year 2050, without lowering their standard of living.
Carbon coin
The book posits a carbon coin, or carboni, a cryptocurrency backed by central banks to reward and promote ecological actions. I’d like to learn more about this potential for cryptocurrencies, it sounds fascinating.
Hazards
Some of us talked about the bathtub graph. People doing dangerous things make mistakes when they’re first learning it, and then when they’ve known it forever. Theses were the two periods with higher rates of accidents, while the in-between was a stretch of low accidents.
Avoidance
One pathologicial reaction, a form of avoidance, has been called The Masque of the Red Death Syndrome, after the story by Edgar Allan Poe. In the story, a group of privileged aristocrats, isolated in a castle on a peak above a countryside devastated by a plague, stage a masquerade to distract themselves, or to display indifference or defiance to their eventual fate.
A silent masked stranger then appears and stalks through the party, and few readers are surprised when this stranger turns out to be death itself.
Even more extreme pathological responses to biosphere collapse are possible and have been observed. Some who feel the end is near work to hasten it, or worsen it.
Götterdämmerung Syndrome ~ the Goddamning of the world or “twilight of the gods.”
Shorting civilization & assorted quotes
Yes. You can short civilization if you want. Not a bad bet really. But no one to pay you if you win. Whereas if you go long on civilization and civilization (therefore) survives, you win big. So the smart move is to go long.
You could literally fill a medium-sized encylopedia with the good new projects already invented and waiting to scale.
Are your machines learning?
Data mining tells us things we wouldn’t have known unless we did it. That could be called artificial intelligence but it’s what we used to call science. What we have really is computer-assisted science. Best to call it that. It’s getting stronger. But we have to figure out what to do with it.
Mail delivered by Lions
Charles Fourier was a French utopian with followers in France and America. There were communes based on his ideas. For him the animals were very important—they were going to join us and become a big part of civilization.
So at one point he says, The mail will be delivered by lions.
After a cursory look online I can’t find anything about this but it’s a nice idea.
I listened to this on audiobook and loved the thinly-veiled contempt throughout. Lamott had a world-weary, bitter outlook on many aspects of writing so it was remarkable how inspiring I found the book in it’s totality.
Writing is labour, any other idea is romantic
Radio KFKD
I need to bring up radio station KFKD, or K-Fucked, here….If you are not careful, station KFKD will play in your head twenty-four hours a day, nonstop, in stereo.
Out of the right speaker in your inner ear will come the endless stream of self-aggrandizement, the recitation of one’s specialness, of how much more open, and gifted and brilliant and knowing and misunderstood and humble one is.
Out of the left speaker will be the rap songs of self-loathing, the lists of all the things one doesn’t do well, of all the mistakes one has made today and over an entire lifetime, the doubt, the assertion that everything one touches turns to shit, that one doesn’t do relationships well, that one is in every way a fraud, incapable of selfless love, that one has no talent or insight, and on and on and on.
The unconscious
My friend Carpenter talks about the unconscious as the cellar where the little boy sits who creates the characters, and he hands them up to you through the cellar door. He might as well be cutting out paper dolls. He’s peaceful; he’s just playing.
I don’t remember the last time I used a public water fountain on a run but I do remember using them. It’s a sunny day, I’m sweating profusely and dehydrated, perhaps planned or maybe stumbled upon, it’s a welcome pause.
Here in Victoria a lot of the public water fountains are encased in stones and cement. There’s often a bowl at the top with a button for operation and a mirrored bowl at the bottom for dogs – it makes a pleasing Z-shape to the eye. I say the bottom bowl is for dogs, I occasionally see people walking rabbits on a leash nearby but I’m not sure they use the fountain. During the pandemic I’ve settled into a running route that has at least three of these water fountains but for various competing reasons (winter, COVID) I haven’t touched them.
On a run a few weeks ago I saw a tall dog drinking out of the human end of the fountain. This dog was very tall, it’s head was comfortably above the basin and his owner/enabler had pressed the button. I thought back to the many times I’ve used water fountains in the past, how I’d been told they were unclean but how I’d used them anyway. Was the assumption today that the fountains weren’t being used due to COVID so why not? It’s unclear. Perhaps the dog was simply too tall to bow it’s head to the ground? It’s a possibility but perhaps unlikely. The bottom bowl was left alone.
I like loops and cycles. The feeling of resolution when something comes back to where it started. Or the synchrony of two plans coming together. I don’t like carrying things when I run so on multi-hour routes I’ve resorted to stashing a coin for a convenience store refuel. I sometimes daydream about leaving a bottle at a strategic point and looping back halfway through my run. I never do it, I’m concerned it would look suspicious or – more unlikely – be tampered with in some way.
Last week I saw a human sweep a little, short dog into their arms before holding them above the water fountain. Perhaps this dog was simply too short for the dog end of the stony-Z? As he lapped at the stream I thought how the fountain would look untouched once the thirst of the terrier was quenched.
Rest in peace Yahoo! Answers, node deletion and introducing scraphs
I’ve never asked a question on Yahoo! Answers and now it’s too late. The site was put into read-only mode and was wiped clean off the internet on Tuesday.
Historical network visualizations over maps, a map of Reddit and a new website
It’s Leonard Euler’s 314th birthday today. In network circles the grandfather of graph theory is perhaps best known for his 1735 solution to the problem known as the Seven Bridges of Königsberg. Using novel graph theory techniques Euler was able to show that a route across the seven bridges without crossing the same one twice was impossible.
Whenever I stumble upon a personal blog with years of archives and I feel a wave of jealously. I wish I’d committed to my false-start blogs in 2005, 2010 and 2015. I can’t help but look at others’ entry dates spanning back in time, sometimes measured in decades and think that it’s too late. It feels pointless to commit to a personal blog in 2021.
But what’s stopping me? I hope to still be around in a decade and more. If I can’t go back and start in 2010 why not start now?
One piece of lore about Steve Jobs, mainly perpetuated by his 2005 Stanford commencement address, was that his early exposure and interest in typography set him on a path of innovation and attention-to-detail that, ultimately, fuelled the growth of Apple.
There’s a reason it’s called link analysis: Graphs are links. Looking and analyzing graphs without links is using a laptop without an internet connection or meeting people without forging relationships.
Recently, I’ve been thinking a lot about newsletters. I’ve been reading a lot of newsletters and reading about a lot of newsletters, but most of all I’ve been thinking about them.
Exploring a network of shared links from popular newsletters in 2020
Back in December of 2019 I received an email from Air Canada alerting me that I hadn’t reached some modest minimum number of points for the year and would therefore be losing my “status”. I was mildly disappointed but understood that I wasn’t travelling enough for whatever status I’d missed out on to make a tangible improvement on my life.
I’m ruthless when it comes to the apps and tools I use. I could have used a piece software for a decade but if it becomes unmaintained or lags behind an alternative I’ll drop it. I’ll also try anything out in the name of a potential productivity or minimalism improvement. Here are the applications and software that have made the cut. For now.
I used the indispensable Homebrew package manager to install most of the software on this list. I don’t like the way it tries to update everything before running the command I want it to. Otherwise it’s perfect.
I use these in a few ways integral to how I work. I bind CapsLock to ^+⌥+⌘ and use it to launch all my apps with a single keyboard shortcut. When pressed alone it counts as a single ESC press. I’ve replaced the use of various window management tools over the years with a home-baked approach cobbled together in Lua.
I’m not sure how it’s happened but my ⌘+TAB muscle memory has been miscalibrated to fail me almost every time. It could be because I often use ⌘+W to hide an application window which then makes it impossible to un-hide from the ⌘+TAB.
I found AltTab last week and it’s a game-changer. Another Open Source tool, the aim of the software is to replicate the Windows Alt-Tab pane but it’s the most feature-complete and responsive application switcher I’ve ever seen.
The thumbnail previews are nice but overall my favourite feature is preventing the pane from showing applications which don’t have any visible windows.
In defiance of the name I’ve mapped it to ⌘+TAB and I’m never looking back.
I used standalone licenses of 1Password for over a decade but couldn’t bring myself to finally stump for a subscription to an app that seems to be getting worse by the year. BitWarden has been an admirable replacement that syncs across all my devices (macOS, iOS & Android) with minimal fuss. After using it for a few months I bought a modestly priced subscription.
This helps me keep track of a number of timezones and has a dispensable keyboard shortcut for quick-at-a-glance checks. Just like Battery Indicator it’s very customizable and works well.
The product design restraint on this tool is remarkable: it has a single feature.
Aware keeps a running total of how long you’ve been actively using your Mac. That’s it. It doesn’t force you to take a break or shame you for getting lost in some code, it’s just a simple reminder of the time you’ve invested in the current task.
I used to use Vanilla but Dozer is an actively-maintained Open Source alternative. It allows me to hide all the menu bar cruft that I don’t always need visible.
I’m not sure why I insist on making the menu bar as clean as possible but this helps me with my #goals.
After extensive evaluation of other notetaking tools I always slip back to Workflowy — and for good reason. The multi-platform app now houses, as a non-exhaustive list, my many todo lists, nodes, writing outlines, meal plans & newsletter planning.
The keyboard shortcuts are a little janky and the iOS experience leaves a lot to be desired but the reliability, collaboration, minimal interface & longevity puts it ahead of alternatives.
The slow decline of the multi-platform browser landscape is depressing. Despite some missteps, Mozilla’s Firefox is still a competent choice and Nightly has a sweet logo.
There are thousands of “text expanders” or snippet tools out there. My pick is aText for the one-time cost and flexibility. This has saved me countless hours of typing: any text I copy-paste more than once goes into aText.
After a few years of using VSCode I’m back using Sublime as my daily driver. The visual cruft and overstuffed sidebars of VS Code were becoming a little too much – I missed the simplicity and speed of a native text editor. There’s more setup required and the plugin ecosystem is a little stale but it feels good to be back.
My use of Sublime Text for years led me to use Sublime Merge on release. I love the keyboard-oriented interface and native app experience. As a mediocre git user who often resorts to fresh clones to avoid reading the docs Sublime Merge is a dream to use.
Is it necessary? No. Does it feel nice to use good software? Yes.
This provides an efficient, iterative runtime scratchpad for NodeJS/JavaScript without making me spend my entire life in Dev Tools. RunJS helps me be a little more atomic about my development and is the closest I get to writing tests for my personal projects.
I’ve been seduced by the raw speed of this GPU based terminal emulator. I didn’t notice the latency when typing with iTerm2 but now it’s painfully obvious.
This week in source/target we look at the boundaries between mediums, messages, maps and territories. #16 is a slightly more dense & rich chocolate cake than usual—let me know what you think.
Graph analytics fundamentals, space station inhabitant networks & a delightful mind-mapping tool
This week we take a look at a graph of space station inhabitants, showcase a mind-mapping tool built with love, and go back to school with the fundamental question: “why bother using graphs at all?”
In this edition I bring a good/bad design technique to life in graph form and continue to curate the curators.
In this edition I bring a good/bad design technique to life in graph form, see the future impact of climate change across the USA and continue to curate the curators.
In this edition: I walk through a visualization tool for taking a closer look at your favorite songs, think about what it means to be a crab and explore the lineage of citrus fruit.
Hi, I’m Christian and this is a newsletter with interesting content and links orbiting the world of graph. I had too much stuff I wanted to write about this week so rather than overwhelm you all, I decided change tack and focus on some particularly visual topics.
Hi, I’m Christian and this is a newsletter with interesting content and links orbiting the world of graph. This is number 6 which means we’re (somehow) a quarter of the way through 2020.
